Atlas for the Disappeared
The first solo exhibition by Miryam Charles presents the moving and haunting works of the Haitian-Canadian filmmaker as expansive installations. For the exhibition spaces at basis e.V., the artist has revisited her film Cette Maison alongside several short films, interweaving them through sound.
What emerges are polyphonic soundscapes that make central themes of her work tangible: the entanglement of grief, diasporic memory, identity, and exile.